One kitchen, one practical, no space behind the subject. The goal was three to four stops between background and face. Didn't get it. Light fell on the whole room instead of the actor, and the fix turned out to be negative fill and controlling spill, not more fixtures.
The same shot three ways, extreme contrast down to low con, to find which one the script actually wanted. The simple setup held up. I judged exposure on false colour alone; a meter reading would have confirmed the separation instead of me guessing at it.
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